The Journal’s piece is neatly framed by its title and subhead: “‘Youth Magnet’ Cities Hit Midlife Crisis: Few Jobs in Places Like Portland and Austin, but the Hipsters Just Keep on Coming” and artfully rendered by Sean Flanigan’s telling images. It’s far from a glowing report on any front. The fact that highly educated people migrate here and then find little or no work is a common, if not a somewhat self-reinforcing fact of life in Stumptown. The article picks up on that and runs with it until there’s no more track.
I don’t believe the Journal’s portrayal is wrong. You do need to be a willing and resourceful pioneer to make it here. It’s the price of passage on The Oregon Trail, now, as always.
Knowing that you have to prove yourself worthy is, no doubt, daunting for the comers, but what good materializes without a meaningful sacrifice of some sort? I can’t think of any. Can you?
For more on this subject, see the discussion at Silicon Florist.
If you’re a real estate investor with a penchant for saving important old buildings, the city of Tacoma needs you. According to Tacoma News Tribune, The Luzon Building at 13th & Pacific in downtown Tacoma is one of two remaining West Coast buildings designed by famed Chicago architects Daniel Burnham and John Root.
The unoccupied structure is being offered for sale for $400,000. Yes, it needs repairs.
Burnham and Root were pioneering designers of some of Chicago’s first high-rises. After Root’s death, Burnham designed such monumental structures as Washington, D.C.’s Union Station and several buildings at the Chicago World’s Fair.
I don’t read the Sunday Review of Books each week, but I should. There’s always something to learn in there. For instance, I just learned that Conan O’Brien went to Harvard, wrote a thesis on Flannery O’Connor and William Faulkner and spoke at Harvard’s commencement in 2000.
Here’s some of what he shared with those about to depart Harvard in 2000:
I’ve dwelled on my failures today because, as graduates of Harvard, your biggest liability is your need to succeed. Your need to always find yourself on the sweet side of the bell curve. Because success is a lot like a bright, white tuxedo. You feel terrific when you get it, but then you’re desperately afraid of getting it dirty, of spoiling it in any way.
I left the cocoon of Harvard, I left the cocoon of Saturday Night Live, I left the cocoon of The Simpsons. And each time it was bruising and tumultuous. And yet, every failure was freeing, and today I’m as nostalgic for the bad as I am for the good.
So, that’s what I wish for all of you: the bad as well as the good. Fall down, make a mess, break something occasionally. And remember that the story is never over.
I can relate. I’m coming off a huge year earnings wise in 2008 and I know 2009 isn’t going to match up. Yet, I’m now free to write and pursue the things that matter most to me. Maybe I’ll make a mess of things as Conan suggests; maybe there’s no need for all that.
The story is never over and the music never stops.
Diego Rodriguez, partner at IDEO and blogger at Metacool, got to hang out in Philip Johnson’s Glass House with RISD’s President John Maeda and other big thinkers.
One of the topics that day was the power of simplicity.
I read the book Ecotopia by Ernest Callenbach many years ago. In the book, the Pacific Northwest secedes from the nation. I’ve been a bioregionalist ever since.
Now I see in “Sunday Styles” that the book—which sold over 400,000 copies in the 1970s—has caught on with new audiences in churches and classrooms around the nation. A fact which has led Bantam to reissue the title this month.
Scott Slovic, a professor at the University of Nevada, Reno, said, “You hear people talking about the idea of Ecotopia, or about the Northwest as Ecotopia. But a lot of them don’t know where the term came from.â€
The green movement’s focus on local foods and products, and its emphasis on energy reduction also have roots in “Ecotopia,†he said. In fact, much of Portland, Ore., with its public transport, slow-growth planning and eat-local restaurants, can seem like Ecotopia made reality.
Which must be why the copy editor of this section titled the article, “The Novel That Predicted Portland.”
Cross the Burnside Bridge into downtown Portland and you will be greeted by one of the most iconic neon signs in existence. It says, “Made in Oregon” and features a leaping stag whose nose cheerfully turns red during the holiday season.
The sign was first constructed by the White Satin Sugar Company in 1940. It was changed in 1957 to read “White Stag” by White Stag Sportswear. The Naito family, owners of the Made in Oregon chain, again rebranded the sign in 1995.
This is where it gets interesting. Made in Oregon is a brand name and prominent retail business in Oregon. But the phrase “Made in Oregon” is a mantra that all Oregonians can relate to and embrace. So, it’s a particularly positive piece of branding that has transcended commerce and become a civic landmark.
Now, University of Oregon, a tenant in the White Stag Building where the neon sign is perched wants to modify the text of the sign to read “University of Oregon.” See WWire for a sketch of the proposed changes.
According to Portland Business Journal, there’s resistance to the change from residents of Portland and city officials, some of whom attended Portland State University (presumably Oregon State grads would have a say in this, as well).
It’s hard to fault O of U for pursuing the change. It’s a bold move, but one that would clearly help build their brand after the dust up washes out to sea. At the same time, it’s hard to support U of O in this, since the existing sign works for everyone, not just Ducks.
I cherish the election maps offered by the design team at The New York Times.
It’s good to see the overlap of these bubbles because it shows that red and blue co-exist in the same places. It’s a finer distinction than the red state/blue state point of view.
Another striking map is the Voting Shift map which shows where each party received more votes in 2008 than they did in 2004. There’s a very identifiable red streak from Texas to West Virginia that’s interesting because it’s so well defined, localized and contained.
Bill Moyers appeared on NPR’s Fresh Air today. He is one of our best journalists and he served on LBJ’s staff in the 1960s, so he’s well qualified to speak on the historic events transpiring in America today. He says “he felt a great stone lifting from our neck” but he also recognizes the racism that continues to exist in many parts of the American South.
Things About Portland That Suck is kind of funny, I have to say. There are so many nice things about living here that you can forget, or simply choose to overlook the not so good things. Like the site’s Reason #56: Wannabe Suicide Girls.
Contrary to the beliefs held in the hearts of hundreds of scantily dressed, overly inked, dyed and pierced girls in Portland, they are in fact not ALL Suicide Girls.
I know it’s shocking… but not all of these “gorgeousâ€-yet-alternative girls actually get paid to take it off for the camera.
Some other zingers include Street Kids With Pets; Moped/Scooter Gangs; McMenamins’ Service; Dixie Tavern; Your Band; and White Guilt.
This site is on its way to becoming Portland’s version of the smash interweb success, Stuff White People Like.
SEVEN DAYS: How was the Times-Picayune perceived before Hurricane Katrina?
CHRIS ROSE: We’ve always been a very vital and vigorous part of the community here . . . What did not happen before the storm that happens now is that, when you get introduced as being from the Times-Picayune at a Chamber of Commerce luncheon, people stand up and clap for you. We’re treated as heroes.
Katrina brought back that very poignant, meaningful mission of journalism — like it really, really mattered every day what came down on people’s doorsteps. Suddenly, high school students to folks 90 years old were reading the paper because we were the only ones people could trust.
The storm brought down a quintessential dichotomy in the community: There were those who cut and run, and there were those who stepped up, at great sacrifice. There’s no question, no question, the Times-Picayune stepped up. And in the vacuum of political and corporate leadership, we carried the fucking day in this town.
There’s also this bit:
The writers and the photographers were in the city and management was relocated to Baton Rouge by virtue of our building flooding. You take management and move them 70 miles away from staff, and we win two Pulitzer prizes. You think that’s a coincidence? That’s not only a paradigm shift to follow in journalism, but in any corporate structure.
Rose’s collection of columns, 1 Dead in Attic is now available from Simon & Schuster. Rose originally sold 65,000 copies of a self-published edition.
