Dropping Knowledge

Eric Alterman writing in The New Yorker looks at the tumult being felt in newsrooms around the nation. The historical context he provides is particularly illuminating.

The tensions between the leaders of the mainstream media and the challengers from the Web were presaged by one of the most instructive and heated intellectual debates of the American twentieth century.

Between 1920 and 1925, the young Walter Lippmann published three books investigating the theoretical relationship between democracy and the press, including “Public Opinion” (1922), which is credited with inspiring both the public-relations profession and the academic field of media studies. Lippmann identified a fundamental gap between what we naturally expect from democracy and what we know to be true about people. Democratic theory demands that citizens be knowledgeable about issues and familiar with the individuals put forward to lead them. And, while these assumptions may have been reasonable for the white, male, property-owning classes of James Franklin’s Colonial Boston, contemporary capitalist society had, in Lippmann’s view, grown too big and complex for crucial events to be mastered by the average citizen.

Journalism works well, Lippmann wrote, when “it can report the score of a game or a transatlantic flight, or the death of a monarch.” But where the situation is more complicated, “as for example, in the matter of the success of a policy, or the social conditions among a foreign people—that is to say, where the real answer is neither yes or no, but subtle, and a matter of balanced evidence,” journalism “causes no end of derangement, misunderstanding, and even misrepresentation.”

Lippmann likened the average American—or “outsider,” as he tellingly named him—to a “deaf spectator in the back row” at a sporting event: “He does not know what is happening, why it is happening, what ought to happen,” and “he lives in a world which he cannot see, does not understand and is unable to direct.” In a description that may strike a familiar chord with anyone who watches cable news or listens to talk radio today, Lippmann assumed a public that “is slow to be aroused and quickly diverted . . . and is interested only when events have been melodramatized as a conflict.” A committed élitist, Lippmann did not see why anyone should find these conclusions shocking. Average citizens are hardly expected to master particle physics or post-structuralism. Why should we expect them to understand the politics of Congress, much less that of the Middle East?

John Dewey took the populist point-of-view, arguing that Lippmann’s critique had merit, but that the solution could be found in education. The central concept of John Dewey’s view of education was that greater emphasis should be placed on the broadening of intellect and development of problem solving and critical thinking skills, rather than simply on the memorization of lessons.

What does Dewey vs. Lippmann have to do with the rapidly shifting mediascape today? The old guard, of which mainstream media institutions are part, is working to uphold the standards that have guided the news business for more than a century, all while inviting the customer into the so-called “conversation.” It’s a delicate balance, but one newspapers need to get right.

There’s so much focus on the vehicles–print vs. digital. But that’s not what any of this is about. What this is about is freeing media from authoritarian top-down control by a few key corporate bodies–something needed just as badly as well-considered, fact-checked journalism. Ultimately, it’s about more voices and more voices requires more work. Our informed citizens have more data to process than ever before. Thus, the need for the critical skills Dewey called for.

Akron Rockers Turn It Up

What’s The Wall Street Journal doing in Akron? Checking the air in Firestone’s tires? Negative. The venerable business newspaper is checking in with Pat and Dan of The Black Keys. The band has a new album coming out on April 1, and the Journal’s multimedia feature is part of the advance hype. Attack & Release was produced by Brian Burton, better known as Danger Mouse, and will be released on Nonesuch, a Warner Bros. imprint. In other words, it’s a big deal for this two-piece blues band, known for its stripped down low-fi recordings and kickin’ live show.

Hill Country Modern

Spend any time in Austin today and you’ll see sharp looking modern homes popping up in historic neighborhoods every direction from the Capitol. With their funny shapes and bold colors, they are hard to miss.

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Austin culture ‘zine, Odic Force, is reporting on the action.

Nobody said living in modernity was easy. Even so, more and more people in Austin are taking the plunge. The trend is noticeable all over the city. Scattered along streets like North Loop and Live Oak between South 1st Street and South 5th Street, Woodrow Avenue north of Koenig Lane, and in various parts of neighborhoods like Bouldin Creek and Hyde Park, houses have materialized that may as well been teleported there by aliens bent on taking over the real estate market. These structures tend to throw conventional home design out the energy-efficient window. They have angles where traditional homes have straight lines. They have straight lines where normal homes have curves. They hoard light where other homes collect shadows.

Modern Austin kindly offers page after page of modernist imagery and links to listings.

As I was clicking around, I also stumbled upon this Lake Flato modernist masterpiece on 17 acres in Kyle, TX, which one can rent for the night.

Don’t Blame Pop Culture (For Being So Popular)

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I like to follow Romenesko’s blog, to see what’s shakin’ on Media Lane. What’s up is Nikki Finke of Deadline Hollywood Daily says Associated Press is hiring 21 new employees in 2008 spread across Los Angeles, New York and London to work the entertainment beat. It’s good to know some journalists are finding new jobs, but it’s disturbing to see where the market’s going.

Certainly, the AP is under intense financial pressure during these doomed economic times for newspapers: Dow Jones newswires just announced it’ll stop using AP stories after failing to agree on a price after more than a year of negotiations. Clearly, the AP now thinks that Hollywood coverage can become its new cash cow. It’s already led to AP signing a deal to provide celebrity video for People.com.

Lou Ferrara, the AP’s managing editor for sports, entertainment and multimedia, explained to The New York Times that the news service’s more than 1,500 daily papers and thousands of other media outlets were hungering for more photos and videos of celebrities.

I can’t blame AP for filling a business need. But the fact that there’s a growing interest in all things Britney isn’t just sad, it’s scary. It means our collective eyes aren’t on any big prizes–like better schools, a sustainable energy policy, healthcare for all. We’re at war in the Middle East, our economy’s falling apart and the icecaps are melting. But who cares? What’s important is Britney went to the c-store for ranch-flavored Doritos. And our nation’s best reporters were there!

Building On The Texas Tradition

I’m glad I got to see Texas singer-songwriter Hayes Carll in Austin this week.

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Carll went to high school in The Woodlands with my cousins, so I’ve been hearing about him and now I know why. Critics have likened him to Townes Van Zandt and Guy Clark. That’s a tough billing to live up to, and having seen him perform but once, I’m not ready to make those lofty comparisons. However, I am ready to say he’s got a good sense of humor and a gift for lyrical storytelling. I also like how he mixes ballads with barroom rockers.

Trouble In Mind, Carll’s major label debut on Lost Highway comes out Tuesday, April 8th.

[MP3 Offering] “I Got A Gig” by Hayes Carll (from the new album, courtesy of songs:illinois)

Idaho Arts

I discovered Idaho’s Travis Ward and Hillfolk Noir in a quirky indie film called Ibid at SXSW last night. Writer, director and star of the film, Russell Friedenberg, refers to Ibid as a “folk-rock road movie,” so one might expect the score to support that vision and it does.

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[MP3 offering] “Old Gray Horse” by Travis Ward and Hillfolk Noir

SXSW Film: “Throw Down Your Heart”

Banjo virtuoso Béla Fleck has been breaking down barriers in music and shattering musical stereotypes his entire career, so it’s not surprising that he journeyed to Africa–Uganda, Tanzania, The Gambia, and Mali–to connect with that continent’s most talented musicians and trace the roots of his instrument. For our sake, it’s nice that he also took a film crew and recording crew with him.

Several years in the making, Throw Down Your Heart, debuted tonight at SXSW. Béla was there to share in the screening and take questions after the film. When is the album coming out was one good question. He said that a handful of labels are interested in it, but he hasn’t landed on one yet.

This film is also in need of a distribution partner. If such things are determined on merit, it will be picked up. It’s a story that the crowd tonight cherished. Seeing Béla communicate across cultural and linguistic barriers with his banjo was special. And to see how warm his reception was in these African communities was also touching.

SXSW Film: “Of All The Things”

There’s been a load of compromisin’
On the road to my horizon
But I’m gonna be where the lights are shinin’ on me

I started this year’s SXSW off at 11:00 am yesterday with the world debut of “Of All the Things,” a documentary film by Jody Lambert about his dad–singer-songwriter, producer and performer, Dennis Lambert. It’s a touching film about family, career, fame, perseverance, rebirth and of course, music.

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Dennis Lambert, who is the star and the subject of this film, is a legendary figure in pop music. He’s written over 600 songs, 75 of which have appeared on the Billboard top 100. Some of his instantly recognizable tunes include “Rhinestone Cowboy,” “Baby Come Back,” “One Tin Soldier,” “Ain’t No Woman (Like the One I Got)” and “We Built This City.”

Despite his immense success, there’s a scene in the film where Lambert says by the early 1990s the people he knew in the record business had been replaced by a new batch of execs, some who wanted to know who he was and if they should take his calls. That had to be humbling, to say the least. From there, Lambert moved on. He relocated from L.A. to Boca Raton, FL and got into real estate. Yet, he still had legions of fans. Many of whom, as it turns out, reside in the Philippines.

A promoter from the Philippines had been asking Lambert to tour the island nation for over a decade, but to no avail. Finally, in 2007, with prompting from his family, Lambert agreed to the tour. “Of All The Things” documents his historic journey and a return to his love for making music.

The rock doc will screens two more times this week, and hopefully will get picked up by a distributor, so Lambert fans, new and old, can enjoy it.

[MP3 Offering] “One Tin Soldier” performed by Coven

[UPDATE] Here’s a rough cut of my on-camera conversation with Jody and Dennis. And here’s the full text from the interview.

Standing in the Twilight of Open Outcry

The Chicago Tribune looks at James Allen Smith’s documentary film, Floored, about open-outcry traders at the Mercantile Exchange.

Here’s how the paper describes their lot:

Open-outcry traders always stood apart from the rest of the financial crowd, or maybe their rough-and-tumble grab for megabucks just made it seem that way. With their colorful jackets and a swagger born of fast money, they were the gaudiest ornaments in the downtown Chicago business world.

Floored is currently in production. It will be released in 2009.